Reuben Archer's - Personal Sin

Well here's another surprise for you. Those who know me, or this blog when I still wrote in Dutch know that one of my all time favorite bands is Stampede. In the early eighties they released two classics with thier debut Live (!) album Official Bootleg Live at Reading and Mildenhall plus my all time top five favorite album Hurricane Town. They reformed some years ago and released the very decent A Sudden Impulse. Stampede was formed by Reuben Archer and his stepson Laurence Archer in the early eighties. Doing the simple maths we can conclude that Reuben now reached an age where most people think about retirement. Well not him and let us be very pleased with that decision. Apart from setting an inspiring example, this album just gives us great eighties Bluesy hardrock that unfortunately is not mached by many younger hard rock bands nowadays.

The list of guests is enormous and with names like Dave Menikketi, Luke Morley, Paul Quin, Neil Murray anyone loving eighties hardrock knows that lack of quality is not an issue.The songs themselves are also in a style I can not make many complaints about. We get Bluesy hardrock uptempo and more ballad like. We get lyrics about personal sufferings and Rock and Roll, but mostly we get Reuben Archer showing that he is still one of the best voices in melodic hard rock. Rob Wolverson needs to be mentioned as well, since he is the other driving man behind this album.

Anyone with the slightest interest in eighties hard rock, or who like me recognizes that Hurricane Town is one of the best albums ever released ( I know we are with a rather small crowd) absolutely needs to give this album an ear. Doubt it you shall not be happily singing along  with the Ace Cafe, Bulletproof, Personal Sin or the single Play my Rock 'n' Roll. Without aiming at disrespecting the proofen still top vocals of Reuben Archer I cannot let that lyric pass. "Mama Don't allow no Rock 'n' Roll Playin' here". Given Reuben's right to retire his mother should be pushing 90. Good to see that no matter our age, we still get upset by what our parents think and want.

While Reuben Archer thanks his friends by raising a glass of good Rioja, I shall raise many Bock Beers to him over the autumn, since surely this album will appear in my CD player a lot. What a good surprise indeed.

Haken, Soul Secret - de Boerderij 4 September 2013

Wednesday night, one month before returning for Progpower festival, a new CD being too recent with two days after official release to know, Moon Safari the day before for soft Prog fans, Mike Portnoy with  his new band The Winery Dogs two days later, both at the same Boerderij. To go short the odds were not too good, so I can only conclude to be more than a bit pleased that at least the front of the Boerderij was nicely packed and over 100 people nowadays on a Wednesday night is not very bad any longer. Stop nagging about small audiences the best news was that Haken were better than ever before and defintely convinced the ones who were there that they are one of the bright hopes for both Prog rock and metal audiences.

First we got warmed up by the to me unknown Italo-prog-metallers from Soul Secret. 4 songs in 45 minutes with some great instrumental parts and the special one on vocals. Not that his voice was in the prog-metal uberleague, but he looked more than a little bit like Jose Mourinho (sorry the picture is out of focus during an instrumental break). Nice opener and maybe not shockingly renewing yet another good band from Italy (I missed Kingcrow live last Saterday, but also recall great Italian shows from Moongarden, Sadist and Memento Waltz).

Haken headlining was a new experience to me. After festival appearances at Progpower and Night of the Prog, they passed de Boerderij last year together with Headspace. This time we got treated on a full show of 1 hour 45 minutes and since both band and audience seemed to like it no doubt they shall return. As I bought their new album The Mountain at the show I only read some raving reviews on the album, but was not familiar with the new songs. Not to worry since Haken is based upon standing and staring in awe. Not many bands do switch so easily from style, while making it all sound extremely easy. For those who did not like them much before I can tell that also the new songs included anything from burlesque circus music to pretty heavy metal. For me the going all over the place is a bonus, since part of the show is admiring their control. Helped by yet another great sound at de Boerderij (great stage sound by Ron Dingen) the time flew by and one epic followed another. From the new songs most striking was Cockroach King, which had some reference to the Spock's Beard Thoughts songs as well as the more metallic parts. My favorites of the old songs were Shapeshifter and Drowning in the Flood, not coincidentally two songs which go all the way up to grunting. Mentioning the grunts I do know that in the past Ross Jennings on vocals has been mentioned as a possible limitation to the bands development. I never saw this during their live shows, but yesterday he was even better than I saw him before. His range from carrying a piano ballad to shouting and grunting is impressive all around.

But Haken is about the band and all are masters in their area, showing off in a sympathetic way that they are just a bit above average. I shall now put on a headphone get the booklet out and read along while playing The Mountain for the first time. No doubt many spins shall follow after which I know all the songs again when they hit Baarlo. If they more than impress a little again I might even look for Danfest tickets, but with the amount of shows coming up the next months that remains stargazing for the moment.

Cyclops Prog - The Peel, Kingston Upon Thames 24 August 2013

The Peel is a famous club often referred to in Prog magazine and receiving many of British best prog rock bands over the years. So on the day thast I read in the same Prog magazine that upto 100,000 people voted for their annual poll I was looking forward to a great atmosphere and a full house given the line-up of Simon Godfrey (Shineback is still great after many spins), Mr. So & So, Primitive Instinct and Haze. Much to my surprise there were only a few people queing up when the late opening Peel was still under soundcheck due to traffic problems for Haze. 100,000 voters against less than 50 paying visitors is not really a brilliant statistic, but guess what the atmosphere was great and relaxed anyway. Further the bar ran out of Bitter on draught, but great PolishTyskie filled up that gap nicely.

So off we went with Haze, a band existing 30 years but fully unknown to me. Fast it turtned out that we were watching two shows for the price of one. As a trio the band rocked hard, showed great guitar work and came across convincing. As a fourpiece the band was adding a female flutist, background vocalist who looked so uncomfortable on stage that you tended to be relieved when she left for the back of the room or the bar. What the girl missed on stage presence was more than made up by the two veterans with special notion for the happy grin of the bass player. Further need to mention the drummer given the fact he turned out to be only 15 years old and holding on firmly. The music reminded by flute of Tull, by folky tones of Mostly Autumn and when a trio even touched progmetal territories. Overall a nice show, but no rush to the merchandise.

After a break we got the introduction of Matt Stevens. He is the master of looping. The only time I have been at The Peel before was during Mattfest (called after another Matt) when I witnessed a pretty similar show. Very impressive indeed and while being a great performer the show tends to become a bit too long. So basically everybody should have seen this at least once live, but half an hour should do to see his book of tricks. Meanwhile he plays guest solos on many CD's I have and his playing is well placed in the upper league.

Next came Primitive Instinct. I got some music from them already when deciding to go to this show and very much liked them. A band who with last year's release of one Man's Refuge commemorated 25 years existence, during which they commented doing basically hardly anything. Until recent under the radar to me I found a new favorite. What a great show they put on. Great performance of a mix of their three albums. They might have done hardly anything, but should get themselves on a tour with Pendragon or Marillion to get the exposure they deserve. Anyone who likes his British Neoprog should like this band and their classy material. Highlights all throughout, but Finding my Way gave the show an emotional touch most bands don't reach. Hope they start touring and maybe one day find de Boerderij on their way. Got the T-shirt, shall wear it with pride.

Mr So & So were on next and this time a female vocalist who knew how to work a male orientated prog audience sharing vocals with  Silent Bob on bass. The whole band was very at ease on stage and the songs from their good last album Truth, Lies & Half lies were pretty impressive live. The older material that was new to me also came over fine, so this was another success. Sometimes I wonder how many great prog bands are walking around in the UK, since the list of great discoveries never ends.

While the list of great bands might never end, the show did suddenly. Still not used to closing times in England I expected the best yet to come, when I found out that Simon Godfrey was not playing tonight. Due to totally understandable reasons the internet told me later I was surprised by this sudden end. Maybe I was outside or had not yet arrived when this was announced, but Shineback life with some Tinyfish inbetween has to wait for another time. Amongst the things I know for sure after this evening is the fact that I shall be back in The Peel again. Tonight I saw 4 bands who shall not come over to Holland that soon and basically liked what I saw all day, with Primitive Instinct guaranteeing a place in my live top 10 of the year with a stellar performance. While I'm still finding my way, Primitive Instinct showed me the direction forward.

Futebol

Holidays in Brazil also means prog rock and metal, but unfortunately the specialized CD shops in Rio (yes in Tijuca several are still there) did not have Maestrick on stock, so my holidays mainly concentrated on the Tricolor in Erikprogtricolor. For thos not knowing (shame on you) the tricolor in Rio is Fluminense, most sympathetic club in Brazil and while we are at it worldwide. Last year they were champions, but this year almost halfway things are disappointing somewhat with a 14th place so far and some support was welcome.

While in Buzios my support came from watching the matches on the street TV at the Botafogo bar. During weekdays the evening television games start at 21:50 hrs. since first the soap should end at main sponsor television channel Globo. Football is extremely popular, but that does not mean that football interest is defended by sponsors or federation. Another sad example is the friendly matches of the national team, which are played on same weekends or weekdays as the competition. This means for Fluminense that on some 12-15 matches out of 38 internationals Fred and Jean shall not be present. This has always been the case, but shows the complete lack of interest by the CBF in a fair competition.  Anyway last Sunday in Buzios was Fla-Flu day, so an afternoon match. While we were still very animated over lunch as shown above , the game was very disappointing and our minority of 4 against 40 supporters at the Botafogo bar was repeated om the field and resulted in a loss of 2-3.

In order to show the other side of Futebol I also dropped by the two pitches near our home when the noise of whistles and shout woke us up early that Sunday. Buzios Esporte Club played modestly in Barca colors, but after some 10 minutes I found that probably 25 years ago I would have made the first team as well, since level was not exciting (although I thought maybe I was watching the veteran team, which means I have to recognize my level was lower. I also visited Branco-Azul Buzios (White-Blue Buzios) but that accomodation was being renovated.

Talking about the level of Football the Brazilian competition is similar to the Dutch one. Not very good football, but due to the lack of predictability a very nice competition. Since many major players leave for Europe the competion is carried on teh shoulders of veterans, with most striking name Clarence Seedorf, who is the biggest star at Botafogo over the past 25 years and manages to get teh team on the top halfway. At Fluminense we have Deco (doping and injuries might justify retirement) Felipe (ex AS Roma) and Fred as the big star. Topscorer at last Conferderations Cup he unfortunately saves his efficient football this year for the national team, although he always gets his goals and scares opponents. Last week I told the family that we needed to return to Rio on Wednesday, since at least one match in the renovated Maracana I needed to see live. And so it happeed that at 21:50 hrs I saw the start of Fluminense-Corinthians. Among experts the Sao Paulo team is main candidate for this year's title with Pato (ex Milan) as most famous name. Flu was without Fred and Jean and had a very young team. As a result the match ended in a goalless draw and very few highlights (we should have had a penalty though). Still I loved every minute of it. I learned several new songs, stood up  90 minutes and the atmosphere was surprisingly positive after last Sunday's deception against Flamengo.  Still there is a comment several Brazilians made to me. The stadium is nice or even more than just that, but the old concrete rings were unbeatable. The sound from the surprisingly large supporters crowd from Corinthians did not travel to our side, which probably was the same to them. Also the shaking concrete, dirty toilets lack of chairs and importantly illegally sold beers, gave more of an atmosphere. This does not mean that I won't be back as much as possible, since Flu live is an experience not to be beaten on any football pitch.

Vamos pra cima Fluzao, Quero gritar campeao!!

The Tangent - Le Sacre du Travail

Andy Tillison, the ridiculousy talented yet absurdly unknown musician, nailed it completely this time. With Paralel or 90 Degrees and the Tangent he already gave us many great albums, but now he released his masterpice: Le Sacre du Travail or The Rite of Work. A hour piece of music broken down in five movements tells us the story of one day in the life of you going to work, passing the day and coming home to watch some television, waiting for the next exciting day which shall be exactly the same. Through my working life I have been in various stages perfectly described here, from extremely boring temporarily jobs, to nowadays a daily commute of over 30 miles as decsribed (although I go environmental friendly by bicycle and train) First highlight on this story are the great lyrics, wondering why the majority of people travel each day to spend 8 hours doing something they do not like. This results in great lines like: "To the car parks by the buildings, where we hate away our day"; "She punches her name to the company mainframe and logs into her pact with the Devil again"; "A modern day warrior, today's Tom Sawyer is a clerk."; "Always thought that there was more. More than this...evening cups of tea and shows you just can't miss.".
Yes Andy does ask the right questions and probably we all have been at one stage in life through these questions already. Interestingly his audience is basically male hanging around a mid-life crisis, so maybe this CD makes some people think and act. Yet, it is only given to few to pack your things and move to France.

But this is a CD and not a book (that was 3 albums ago with "Not as good as the book") I might say something on the music as well. There is no reason for complaining here either. The musicians helping out are all of great reputation and that shows during the Symphony. Theo Travis Flutes and saxes along nicely again, bringing some classical music into the picture. Jakko M. Jakszyk is solid on guitar and bored drummer Gavin Harrison together with bassplayer Jonas Reingold are an above average rhythm section to say the least. Finally we have David Longdon of Big Big Train fame, helping out on vocals and completing this real all-star line-up. The music basically goes all over the place, with possibly all influences you can imagine coming back somewhere. Since all keeps the Andy Tillison signature, at the same time the album sounds comfortably known as well. On the extreme influences, probably the most sympathetic song on the album is the bonus 1:14 minute punk rocker Hat.

This album also knew a crowdfunding campaign. Usually I am sympathetic to those actions, but for this one I missed out on the propaganda completely. So in compensation I can only recommend everyone to get this CD. In the last issue of Prog Magazine Andy states that Playing Live with a Progressive Rock band is a magnificient way to lose money, which puts some doubts on ever seeing this album performed live. Hoping for the blood to creep where it can't stop crwaling (we're ants!) I still hope for a Boerderij performance somewhere early 2014.

Persefone - Spiritual Migration

Last year Persefone toured Europe. While I missed them on the ProgPower Thursday evening show, I did see them supporting Leprous later that month. Going back in my memory and just re-reading my review of that show I did like their performance, but was not overly impressed with their vocalist, since I prefer the mix grunt/clear vocals over the scream/clear vocal combination. Still after receiving many raving reviews on Spiritual Migration, amongst whom some reliable sources to me I needed to check out this album. After many turns my conclusion can be that musically this might be the best album released this year, while the vocals are very good on CD. For those who see screaming vocals as a bridge too far to cross I still strongly recommend this album due to the five(!) instrumentals and many breaks that are simply amazing.

Spiritual Migration, so there is a concept of spiritualism here. This gives matters a personal touch to me, since lately Josie created a strong interest in these floating ideas, while I ...well I liked the goats and sixes during Hell's show a lot. So now I told her I bought this album in her interest sphere, she was pleased and open to listen. Unfortunately she definitely did not get the meaning of the screams, but shall give the lyrics a closer look one day. At the same time I just keep on getting blown away by the music itself. I do hear clear references to Zero Hour's in your face metal, while some more spiritual parts bring Cynic to mind. Those who joined me at the ProgPower 2008 (?) Saturday know that I rate both bands amongst my favorite performances of all time at that festival.

So now I am very much hoping on a fast return of Persefone to Baarlo, or de Boerderij for easy travel. This time I shall not be distracted by vocals and get into their previous work as well. It's a strange little world we bang in. One year ago Leprous was at its peak touring Bilateral and Persefone was just an OK opener, Now I soon shall start ignoring the somewhat disappointing Coal, while I will have many Spiritual Migrations to look forward to.  

Plein Open 2013, 20 July The Hague

Now that the summer arrived as we like it, the free festivals come along with it. Most of the free festivals have a long tradition and the main ones in The Hague and are nicely spread over the summer. Early June it is Kaderock at Musicon with a mix of music styles, but many guitar orientated music (last year The Quill was preferred act) Then end June we have Parkpop in the Zuiderpark, which possibly still is the largest free festival in Europe, with nowadays around 250,000 visitors. In the past they had great names (Marillion, Diamond Head, Def Leppard, Fish, Thunder, Robert Plant) but lately the program is poor. Then end July we have Plein Open and early August Schollenpop on the beach at Duindorp, which if sunny is obviously the best scenery you can imagine. Finally neighbouring Wateringen has mid August Waterpop, where this year heavy music with Orange Goblin and Soltstafir makes a good return (but I shall be on holidays then)

Plein Open is easily  at the ugliest location, being next to the Ice Palace, or our new city hall and Library. This week local politicians have decided that the Anton Philips Hall on the square has to be demolished for being replaced by the EUR 181 million (!?!) costing Spui Forum. Knowing that these costs shall double like with all government big projects, we can state that our local politicians should be protected against themselves and kicked out of our city soonest. The same people also decided to stop subsidising small clubs where local bands can perform, so obviously no heart at the right place, but status as main driver. So far politics. Plein Open the festival is easily the one where heavy guitar lovers best meet, since I can't remember a year without any metal band.

This year at 14:00 hours we got Ditch, a band in the stoner-rock corner and sounding pleasant with their thundering bass keeping the body participating. At 16:00 hrs. we got Vanderbuyst. This metal trio is probably the most performing band in Holland, since they appear everywhere from small clubs to large festivals. Their Hard Rock is very eighties with clear notches to NWOBHM and before. A small Thin Lizzy bite during soundcheck showed their quality already. They meanwhile released several albums and played own songs with one cover, this time being one of Herman Brood. Very good band and to my surprise 2/3 from The Hague as well.

Than we had some hours of heavy drinking, catching up with friends and passing bands (Iconoclast with some psychedelic punk sound was best of the rest) until at 19:30 we got ReSolve. This young band mentioned  Dream Theater, Symphony X and Porcupine Tree as their influences I knew this would be nice to see. When I showed up at the second stage (which was a tent, not a stage) some minutes before they started the guitarist appreciated my Redemption T-shirt and mentioned this is where they are into. So they started with an own song and instruments played well and female vocalist thankfully  not going up the octaves, but actually singing. Than we got treated on a very decent version of Pull me Under. When they announced to slow down a bit The crowd (of how many?) did not want to know about that, but when the vocalist said they were going to play Undertow from Pain of Salvation all changed to me. This song also was played on my daughters cremation and made me leave the Sjiwa some years ago at Progpower. Nowadays I can listen to it live again without getting emotional but somehow I still can not stop shouting along with the lines like "Let me die, Let me break the things I love I need to cry" Again this version sounded good and the vocals obviously far from Daniel Gildenlow managed not to disturb me. Then we already got at the final song, which was an epic completed by a grunter as guest. I way passed the times that grunts would put me off and this song was another highlight. It seems that in The Hague we have now progmetal band to keep an eye on. Exactly the reason why this festival is so good for bands and audience. Meanwhile the sun came through stronger and stronger and I vaguely remember how I cycled home later that evening.