Monday, 24 August 2026

Progstorm - Club Soda Montreal, 21-23 August 2026


Progstorm held it’s second edition in Montreal this August. Second edition it might be, for me this was a long series of firsts. To start with a first visit to Canada. Looking at the program also a first time seeing several bands I never expected to see live. Progstorm would also be my first festival in North America and I was curious to see if they could match enthusiasm of their Southern American cousins. Regarding a progmetal festival this was far from being my first as I do attend the father of them all Prog Power Europe since 2000. Actually two of the Canadian bands who played at PPE recently were The Anchoret and Voidchaser. Members of both bands started off this great initiative of giving Canada it’s own progmetal festival. So reasons enough to book myself a ticket to Montreal and I did not even mention
 the PPE delegation coming along, some of whom I never spoke with over the decades in Baarlo so another first.


What definitely also drew my attention is Canada. Many of my favourite bands in several subgenres of metal and hardrock are Canadian. Of Course there is Rush and Triumph too. Annihilator are among my favourite thrashers, Voivod are wonderfull and Beyond Creation is one of my preferred Techdeath bands. Passing the melodic hardrock from Harem Scarem and Alias to the old days of Santers. Even in more recent progmetal years The Anchoret and Voidchaser were both great at PPE and Crown Lands is awesome when they don’t go ambient. Than you have Noor and Karcius and I am skipping so many great bands. Or resuming Canada is great for metal and hard rock bands, so how about a festival? From my progrock side I now that Marillion loved to organize many weekends in Montreal too, but I only attended European versions. After their Montreal version, they even wrote a song about the city, so something must have been OK.


Arriving on the Wednesday night meant I had two days to get used to the local clock and try some local beers. Very nice some of them Brewsky’s. The city itself looked not overwhelming at first arrival, but slowly won me over too. So what possibly could go wrong? Friday came, the sun was out and at 15:00 hours we could head for Club Soda, which was just around the corner from our hotel.



Attending a show in another country is always nice for spotting the differences, or similariies. The program did not state how late doors opened, nor how long bands played, so when we were heading for a birthday cake at Kim's hotelroom, a small queue was waiting already for a closed club soda. Entering ourselves at 15:40 the wristbands were handed out without name-checking. The bars were plenty as we soon found this was not a heavy drinking crowd and the hall looked like Melkweg Max, with more seats above. I would guess these seats were for rotating people who wanted to sit during less interesting bands for them. Some people seemed to prefer a permanent seat and with the tables around it looked comfortable indeed, but a bit far from the stage for me to go up in a show.


Hillward opened the festival. This band was local or at least from Quebec. How I know, well they spoke French to us (tip: don't at an international festival). Their music spoke better as I liked their form of more traditional progmetal as well as their sympathetic presentation. Not boundering breaking original, but a very pleasant opener they were. 


Next on were Fractal Sun. They formed ten years ago, are from Costa Rica and 60% female. Now I am from Holland and we have a whole wave of bands, where female sopranos destroy a good metal band (Epica, Within Temptation, The Gathering, After Forever, Delain). I do understand that this is personal taste, but as soon as Fractal Sun came to the lyrics they were fighting an uphill battle with me. The band themselves looked pretty fine and they fingerpicked like a techmetal band at times. Towards the end vocals also shifted to more variation and I liked them better. In October they play Progpower, so I shall see them again and if I pick a part only, I better watch the final.


Friday started with four bands I did not know on forehand, but Aeternam I checked out on Youtube (still no spotify for me). They are from Quebec City so speaking in French, but progdeathing with oriental influences. The album is symphonic, so no way these four guys could represent all this live without the help of some tapes. Luckily in this case it did not matter much and Aeternam quickly became the first absolute festival highlight to me. This set flew by and before we knew it Constantinople was falling. Got their last CD, to play at home amd relive this fine hour.


For those considering Aeternam heavy, Greylotus from Baltimore upped the heaviness even further. Unfortunately to me this resulted in a sound, where I could not hear much more than a heavy blur. At times the band went calmer and the vocalist sang clean. Like most Deathcore bands the presentation was energetic. Unfortunaly they also proved that both death and metal core are still not among my favourite styles.


After the next break (which were remarkably fast during the day) I would enter known territory, as Vulkan from Sweden would hit the stage. A few years back they were great at Progpower and I do own their last album Technatura. Tonight they impressed again and even more if you consider their guitarist could not make it and Voidchaser came to the rescue. A very fine show of heavy prog they gave us. They also manage to sound like Vulkan, meaning they do have an own sound mainly caused by the voice. I did recognize mosts songs, so Technatura was the base. Touring Europe in November I shall not be around to see them, but definitely worth a visit.


Headliners of Day 1 were Cynic, the band I own full discography off. I saw this line-up twice in recent years. First at Prognosis, whenpart of this line-up was just together and not a machine really. Last year they were much better on tour with Beyond Creation and Rivers of Nihil, but Paul's voice suffered. Tonight was easily the best show I saw in a long time by them. Both Focus and Traced in Air were visited often, but we even got a new song or idea. The band was tight tonight and Max Phelps did up the heaviness when needed. Glad to see Cynic in great shape again. Even so, when a huge image of both Sean's appeared I realized again how much Cynic broke boundaries over time and how unafraid they are of change. What a great way to end Day 1 we got and to our surprise 5 minutes after the show,95% of the people had left the room already. Our tradition of having a beer and day evaluation is obviously not shared in Club Soda. Well staying half on Dutch clock, back to the hotel was the alternative.


Day two started after a walk through the park with a surprise while entering Club Soda. Even wearing a wristband, we were asked to show our day ticket at the entrance. So why the wristbands? Which brings me to another recommendations (not critic) for an even better festival. One side of the balcony was blocked for bands and family. Why? now it was most of the time empty. Bandmember roaming freely through the hall improves the atmosphere and chance to thank them for their set. This day promised to give a lot of reasons for me to thank bands, as the line-up today was for me the main reason to fly to Canada. So curious I was and upon entrance I completed my Dessiderium and Exist collections and got the first band Tee of the weekend.


Before it got exciting we first got to me unknown local opener Chronochromie. Extreme progressive rock and metal music their bandcamp page states and I heard mainly lots of notes being played. Not the easiest band to get into when hearing for the first time and overall I liked the instrumental songs better than the ones with screamo vocals. Warming us up, but not really my thing they are.


The next band were Dessiderium whom released with Keys to the Palace one of my favourite albums of 2025. Now Dessiderium is really Alex Haddad doing everything, so how does he pull it off with a band? Well that quickly became clear was no problem, with some fine artists around him and a very enthusiastic hitting drummer. Alex himself also takes care of vocals and both extreme and clean convinced. Basically Dessiderium were a notch better than I hoped for and my hopes were high. Great band, superb set and get these guys over to Europe I'd say. To make it an even better 45 minutes my team Fluminense were 0-1 behind when Dessiderium started and won 2-1 when they were done.


The party would not be over as next on would be Exist. This band I follow since discovering So True, So Bound. Max Phelps now also played guitars after his vocal parts at Cynic the night before. What a band they are and it soon became clear that also Exist topped my already high hopes. Presentation, songs and setlist were so good, that this show flew by too. When the extreme progmetal is upped by very good clean and grunting vocals you are the right band for me. I got the new EP and the Zeitgeist which I missed  so far due to crazy postage costs. Proudly wearing their Tee at shows to come.


An Abstract Illusion from Sweden came next. Now I was a bit sceptical as their show at Progpower a few years ago, was suffering from sound problems and ended up messy. This after releasing with Woe one of the better albums in the dark extreme prog genre. Today it was for me time for their revanche and man did they deliver. This time a machine bulldozered over the stage and when the vocals needed clean, the bassist stepped in impressive. I was not expecting a show this good and shall now replay their albums when home, with even more interest. Their first North American show became a victory.



Usually during a festival I suffer keeping my interest after an absolute highlight. Now after three highs I could not drop the ball yet again as Anciients came next. This band blends some stoner influences in their extreme prog. The result sounds very interesting and gives them a chance to blow you away for the full hour. With most songs coming from their ridiculous good album Beyond the Reach of the Sun, not much could go wrong really It does not happen often that I get blown away by four bands in a row, but Progstorm managed to pull that off. The good news, next month Anciients come to The Netherlands.


And than Car Bomb had to close the day. Well without a chance for me after such a day. I saw Car Bomb last year at Complexity fest and was not so much impressed. I can see they can play and all, but the style just does not do much for me. So after a long day and halfway their set I decided to join Esther and Michel for a bite in a sportsbar. Car Bomb were popular enough, but after so many highlights I was not open for a band I do not know or care for much. What a beautifull day of extreme progmetal we got and ready for a more traditional progmetal day 3 I was.

Day three started with lesser weather, so no long walk. Watching English football while trying my first poutine in a sportsbar was the program. That would be my last poutine too, as my taste is apparently not local. I forgot to take a picure of the bands playing at the entrance (rain) and knew I had to show my QR code for day three again. Today would bring progmetal, so bring it on.


Sky Passage from Quebec opened the day. I did not listen to anything beforehand so let them surprise me. They opened very calm with only violin and keyboards. But after a short while 5 more men followed and we had a full stage. They played progrock and I do like my progrock at times. A nice long song opened and almost closed the set as it wasreally long. After yesterday's storms this calm opening was welcome to me.


And than it was time for some nostalgia with Heaven's Cry. They had not played for 8 years and would celebrate 30 years of Food for Thought Substitute their classic debut album. The band played PPE twice and were very pleased to see two organizers of that festival in the crowd, thanking them plus some three times for their presence . Regarding the show I can be short. How is it possible that after an 8 year hiatus the band sounded so tight and good. One strong point of them has always been that with Pierre and Sylvain they have two great vocalists in the band. For me one image symbolized it all. The Progstorm logo with bandnames behind the band showed an angel. The apostrophe of the band name, was placed as if the angel was crying one tear. A show to get emotional about indeed. now all that we miss is a return to Baarlo. And if you did find the band sympathetic on stage, at the merch stand they sold hoodies for 12 euros and T-shirts for 6. Unfortunately not in my size. 


Nospun came on next and also they played PPE before. Only last year so not that nostalgic. Like last year, I again loved their show, while not being sure if at home their music works for me too.The best part is that they obviously do not take matters to seriously, while in the meantime playing very well. When they needed a heavy voice, again Chad Voidchaser came to the rescue. A very entertaining set by Nospun we got. They even got moshpits going, which I was not expecting with this kind of music.


Hereafter we would enter unknown territories for me again as I did not pre-listen much to Dawn of Ouroboros. That was a surprise, as they were very loud and the longhaired vocalist (as in knee low) screamed angry at us, while moving over the stage. For me it was a bit much in the end, so I used halfway an escape to find some food. 


Wilderun I do know and love, so moving more upfront again was the thing to do. They gave us an overview of their discography and early in the set, my favourite Wilderun song Far From Where Dreams Unfurl was played. For the band today was a special show, as it was their last with Dan on bass. Giving him a Wilderun fish on stage and  us a great show was the result. After the show I got to talk with them and the wait is now for a new album plus a tour. Curious in which country I shall see them next, as this third show I attended, meant country #3.


And than it was over and we gave our applause. Pure Reason Revolution were the closing band. I saw them touring their debut in 2006 and at PPE a few years back. So I knew they are not fully my thing, so no need to judge anything. Their calm music did go down well with their fans, while I stayed at the back talking with Wilderun and friends mostly. Now Canada has it's own progmetal festival and they can be proud of what they put together in two editions only. For next year a movie introduced Native Construct as first band. Now that is a surprising band I almost forgot about. As Christian said, if  Watchtower comes, we have to be back. Well time shall tell, as Montreal is not around th ecorner, but Progstorm is here to stay. A huge thanks to Jici and Eddy for giving is this very nice weekend and I hope to return one day.




Tuesday, 11 August 2026

Mortal Sin & Hidden Intent - Musicon The Hague, 10 August 2026


Festival season means bands looking for shows on weekdays. So it could happen that on this warm Monday night we did not get one, but two Aussie thrash metal bands playing Musicon. Mortal Sin coming from Alcatraz, while Hidden Intent played Bloodstock. Monday nights are always a challenge and even more so in a month where we get flooded with shows and festivals. So I was glad to see that Musicon had some 60 in and we were not in an empty place.


Hidden Intent opened the evening and I knew that would be fine, a I saw them before at Little Devil some years ago. Although they are only with three, their overwhelming sound is impressive. If you than add fingerpicking great guitars, we did get another great show by these guys. I don't have any of their music, so to me all was new, but I do keep my beers cold in their canholder I bought at LD. A very nice opener they were.


Mortal Sin tour their 40 year existnce, releasing their debut album in 1985. Now I don't remember even knowing the name Mortal Sin in the eighties. Turned out that was my loss, as they were awesome live. The cover of their debut Mayhemic Destruction is classic eighties, which might make you think of a band like Attacker. Their sound and especially the voice of Mat Maurer made me more think of Testament at times. We got a long set and the outstanding track to me was Lebanon, what a classic and still relevant 41 years later. Shouting along with Blood, Death , Hatred also worked out well. So in the end we got two great bands and  I doubled my Aussie thrash can holder collection. With 30 degrees coming up, I should try them out this week. In two weeks time this package plays Sounddog. Go see them  if you are around, you won't be disappointed.



Sunday, 9 August 2026

Armored Saint & After All - De Boerderij Zoetermeer, 8 August 2026


Armored Saint back in The Netherlands, So I had to be there obviously. The last times I saw them live, they always managed to enter my top gigs of the year list. Why? because the Saint never disappoints. OK one minor disappointment upon arrival, their very nice white Tees were sold out in larger sizes. Due to an anniversary Hans and Mary  went to see te band in Essen already (combining with Crimson Glory and Wings of Steel, so what a midweek) and I ended going with Magchiel. Inside de Boerderij I knew I would bump into some friends as Musicon moved the Mortal Sin show to Monday in order not to collide with this show. Still de Boerderij could have filled up more, but good music is not always defining audience sizes. Well I was there and looking forward to yet another highlight of the year.


Opening band tonight were After All from Belgium. Now I saw them before at Alcatraz years ago, when it was still held indoors and at a parking stage. In Musicon and at Metal Experience Fest I was not around, so I was curious about their set. I remembered a bald vocalist, who now either suddenly grew long hair or was substituted over the past decade plus. Their set was pretty fine and their style of metal comes close to eighties US metal, so a fine band they are indeed. I might want to check out their next album as the new song sounded promising.


But in reality I was looking forward to Armored Saint as from entering de Boerderij, so let the Saint conquer once again. Well they did. Opening with a new song Close to the Bone of their latest Emotion Factory Reset it already started fine, which only improved with the March of the Saint thereafter. I can start mentioning highlights, but the overview of their discography was fine from start to finish. The band was pleased when the audience continued singing along with the guitars after Creepy Feelings finished (a first this tour) and I must say even if not packed, de Boerderij rarely looked this lively before. This all because Armored Saint know how to entertain, without taking themselves all too serious. Aftermath had John Bush singing from the hall again and when I cycled home from the station tonight I could not stop singing Last Train Home, even if riding a bicycle.  Maybe becaiuse it is among my five favourite songs ever? Thank you Armored Saint for doing everything right again tonight. This show was crammed inbetween Alcatraz and Keep it True Legends. Next year Alcatraz confirmed John Bush playing his Anthrax years. If like the US shows this year that means a support of Category 7, count me in please for a Dutch show. Metal as it was meant to sound is what we got tonight and I realized once again why I prefer smaller venues over huge halls. And thanks Magchiel for the awkward pic.



Sunday, 2 August 2026

Savatage - 013 Tilburg, 1 August 2026


Savatage coming for a headline show to the Netherlands. Obvious I would not miss that, as last year's return after a long hiatus I missed being in Brazil and Europe on the wrong dates. Setting the ball park first. Savatage are among my favourite bands and one of the three I saw most playing live in the nineties (next to Psychotic Waltz and Riverdogs). The last time I saw them was at Bospop 2001 so already 25 years ago. Like most people I thought for years, that I would never see them again live on stage, but than last year they came back to life and now seem to keep on touring for years to come again. And yes, Jon Oliva is sorely missed, but his health does not allow touring really. Stories about this version being a tribute band because of his absence can be binned as the current line-up is very similar to the latter period of the band, before disappearing.


So off to Tilburg we went and we meant Hans, Mary and Magchiel joining me by car. Car on a Saturday? yes as trains were unreliable again and meant a bus part I preferred driving down south. We agreed to leave early and have a bite and a drink in the centre of Tilburg. Arriving around 17:30 we were not the only ones with that plan as many black T-shirts covered Tilburg's terraces. Seeing familiar faces en route we ended up a bit further back, enabling us to eat something. So would it be busy I thought? The answer was yes, when we entered 013. Very busy and that brings me to the only low of the evening, I don't like a busy 013. The hall is too big for my taste and you get stuck when it is (almost?) sold out. Now knowing there were at least some 50 FB or real life friends walking around I did not see most of them. I once again got confirmed that I prefer small venues, or possibly up to 800-1000 capacity like Nobel, Patronaat or Boerderij. 013 is a bit too massive for my taste, but Savatage draws larger crowds (not so much in the nineties as I saw them in places like Scum those days) so it is either massive or nothing. Luckily the Savatage crowd is a social one, meaning people of my generation who let others pass by if they wish.


At 20:30 the lights went off and an intro started bring us up to the rampestamper bit of Morphine Child. Following this by Dead Winter Dead and Jesus Saves and the mood was set. The sound was good, the band in form (Chris Caffery and Al Pitrel both shining on guitars tonight) Zak's voice holding well and the stage looking busy. I don't really know why they brought two keyboardists along, nor their names as introductions were not needed apparently. Well they both sang along with the complicated bits of Chance, so maybe there is a reason. The setlist was a trip through their discography indeed and surprises came mostly from the distant past, being to me Warriors (sung by Chris) and Unusual.


Playing a long set, meant two hours and as I just saw 23(!) songs. Now that is a proper show. Maybe for some abums I might have picked other songs, but I loved the set being a long trip from start to finish indeed. For me Hourglass could be left out and I would also like to see Fight For the Rock being represented by a song like Hyde. Well no matter the possible changes in the setlist, when a band ends with possibly the best song of all their four best albums it can't get much better really. These songs were Believe opened by Jon on Video and people crying in the crowd,  Gutter Ballet, Edge of Thorns and Hall of the Mountain King. We are talking Heavy Metal Champions League here, so  everyone left pleased. I was glad I got to see Savatage once again and the music did beat the venue for me. Savatage ruled from the mid eighties till the late nineties. Glad to see they still do.   



Sunday, 26 July 2026

Armored Saint - Crown Lands - Master Massive - Voivod


Four albums you might like to check out for an even better summer.


Armored Saint - Emotion Factory Reset
Underdogs, but that was Raising Fear almost 40 years ago. Still I never got why Armored Saiint are not huge in metal land. Like on Alcatraz where they play again before shitbands like Body Count and Slaughter to Prevail. Well not my problem, as they released another winner for me with Emotion Factory Reset. Heavy metal with lots of groove gives us with Hit a Moonshot and Buckeye new highlights in their discography. They almost make you dance here. The rest of the album is also very fine and rather heavy for their standards. 8 August Boerderij, if  you are not at Alcatraz, I guess you have to be there.


Crown Lands - Apocalypse
Fearless was my first introduction to Crown Lands and it almost became my album of the year. Who does release albums nowadays that sound a lot like 70's Rush? well Crown Lands did. Than their double Ritual albums scared me off with their ambient soundscapes.Now they are back in good form and Apocalypse should please fans of Fearless again. The closing song is the 19 minute epic title track (just like ...). My favousire song is the Fall, what an earwiurm is that, almost as danceable as Armored Saint it should be a live highlight. That is if they ever come to Europe. Progpower booked lots of bands at the border of progmetal this year, so maybe these 70's Rush soundalikes deserve a place next year. 


Master Massive - White Shadows
Sometimes it is good to read magazines for dicsovering bands I missed online. Master Massive formed in Sweden in 1993, but released their debut full lenght in 2015. I discovered them in Aardschok who reviewed album #3 White Shadows. Namedropping old Queensryche and Fates Warning made me interested at least and yes it is a good album. The different bit about Master Massive is that they have three lead vocalists. All three good, but my favourite is Masken, whose rawer edge gives the sound more of an eighties US metal feel. 7 songs over 49 minutes brings you mainly back to the eighties and that is always a good thing when done this well. Curious if they do tour as well.


Voivod - Symphonique
Metal bands with full orchestra has been done before and shall be done again no doubt. It does not necessarily mean an enhancement of the sound and results might differ. The music of Voivod has always been different and it turns out that these versions do work well. The show is an overview of mainly eighties Voicvod with some songs from more recent albums blended in. The highlight to me is Tribal Convictions when tribal drums are enhanced by a threatening soundtrack of the orchestra. The voice of Snake is always a matter of taste, but he fits very well with this orchestra backing. So overall a very nice album, that might not be for every moment.


Thursday, 23 July 2026

Riot City & Aquilla - Little Devil Tilburg, 22 July 2026


"Hey mr DJ play this one for me, you now the one with the crashing and the screams" Manowar sung to us on their majestic debut album Battle Hymns. Well anyone who was into just that kind of metal in the eightes and still is now, should have been at Little Devil this Wednesday night..Riot City and Aquilla transferred us way back to the eighties for some top class speed and heavy metal. Since our national rail would work against culture again, I drove down to Tilburg with Hans and Ton. Holidays did not make highways emptier, but to compensate the feared Tilburg Kermis also did not result in busy traffic or parking garages. On time we were in and let the madness begin.


Aquilla are from Poland formed in 2014, but looked more like 1984. Tight leather pants in white sneakers and the hair of the era. I once checked their music out, when they played a festival I was planning to go, but did not in the end. I remember quite liking them at the time and now got this confirmed live on stage. Heavy metal in it's purest form, with lots of fiery guitars and a strong vocalist to match it all. As far as openers go, this was one of the better matches with the headliner I saw in recent times. They went down well with the audience and won over some new fans I guess. One detail the antfucker (dutch expression) in me found funny was the shouting along bit. We were asked to shout along with something and steel. Now I read that the song is called Steel & plunder. I guess they mean either Steel & plumber or Steal & plunder. But they are forgiven as the song was pretty good. They closed their set remembering one year since Ozzy's passing away and Barking at the Moon we did.


And then came Riot City for their first proper headline show in The Netherlands, I saw them in 2023 in Germany and was completely blown away by their power and energy on stage. Last year they played the Roadburn Pre-party and that was awesome too, even if not the whole Roadburn crowd was getting their metal brilliance. Now in Little Devil they got a venue filled with people loving their music and reactions were accordingly. As from the first notes and more important screams of Warrior of Time the place was set on fire and would not cool down for the next 75 minutes or so. Or as vocalist Jordan told us, this made it all worth the ten hour flight followed by a five hour ride. With more time on their hands we got some songs that I never saw played live before and that included 10 minute epic Severed Ties. I loved every second of thsi set and it flew by while Burning the Night with an Eye of the Jaguar and a Tyrant from Beyond the Stars. Riot City proved once again to me, that they are the future of speedmetal. Pitty that most people in were from my generation or about. Can it really be that young people prefer metalcore over this masterclass? Does not matter as long as I can attend shows this good. So when In the Dark closed the evening we could go home with a huge grin on our faces. Realizing we just witnessed one of the highlights of gig year 2026. Their European tour is short, but if you have the chance to catch them, don't miss out. Rest me to thank Mario and the crew at Little Devil for giving us this evening. For those continuing the metal today at HOA: enjoy and I should definitely look more seriously into HOA 2027.

Sunday, 19 July 2026

Dutch Prog Matinee - Musicon The Hague, 19 July 2026


Dutch Prog Matinee was it called and three to me unknow bands came to Musicon. Now I was worried for it being a Sunday afternoon show during school holidays. Apart from that Musicon does not really program a lot of prog anyway. So there I went supporting the venue and the prog scene, being surprised that some 30-40 people showed up. No faces I recognized from Musicon, but opening new markets makes sense always. Today's beers came in plastic cups, as last night's national grunting championship had a fuller house. Opening band were Proxima Flare. Their prog was metal light and moody. At times making me think of A Liquid Landscape, especially on the moody parts. They were pleased with their T-shirts and stickers. Me not being a cat-man not so much impressed. Their presentation was comfortable, but they did not mention song titles. I liked the last two songs best, when the metal bit and guitar soloing increased somewhat.


Next band were called Hurryland. With a name like that I hoped for some speedmetal blended with their progmetal. Well I hoped in vain, as they mixed more jazz with progmetal. Actually instrumentally a very strong band, but with no bass on stage I heard loops and tapes I guess throughout their set. The keyboardist played his first gig with the band, so looking a bit uncomfortable with headphones on, should be forgivven. I actually liked the vocalist's voice and considered the three songs where she sang stronger than the three instrumentals. When she sang and the band played their technical bits I thought of District 97. Nice band, even if their presentation has space to evolve a bit.


Last band were Artemis from Delft. They played more hardrock, than anything prog really. The band was fine, but the voice did not click with me, being a bit over the top at times. At a certain moment did he also ask for a circle pit? well that did not happen. It was sounding fine, but after some songs I decided to go home to watch the tour de France. Turned out that when I was on my bicycle, Vingegaard fell off his. That ended the last bit of tension of this tour, but I can still enjoy the stages. Finally musically I should have gone to Breda today to see Ruthless and Mindwars in Sounddog. But I preferred staying close to home and see some sports in the afternoon and evening. Wednesday it is time for metal in Brabant. Next Prog must attend do in Musicon is in November when Changeling comes over bringing Obsidian Tide and Hyla along.