Thunder - Boerderij Zoetermeer 11 July, 2015

On their way to today's Bospop festival Thunder decided to stop over at de Boerderij again and in spite of summer holidays and great weather enough people turned up to make this a busy evening at the farm. Earlie this yeaR I already wrote about teh quality of their come back album which can stand amongst their best work and now they came to show us that Thunder is still a force to rechon with on the live circuit.

Kicking of with the title song of their new album, it was immediately clear what I like so much about Thunder. They just make feel good melodic rock with no place for sad faces. Everyone coming out of a Thunder show has a smile on his face (unless you hate them and should not have come all together). Yesterday's show was no different and the mix of new songs and old classics gave us almost two hours of uplifting songs. As Thunder are also known for their great ballads new one Broken stood amongst the best. Too bad for them the eighties are over, for this could have been a MTV hit loved by mothers and daughters alike.  Actually all the new songs came over really good and blended well with their greatest hits Low Life in High Places, Backstreet Symphony and Love Walked In.

Thunder plays dance music really and as the performance is so good, we forgive them for walking the edge of cheesyness with lots of clapping along requests. With a sound that was cristal clear vocals that brought you back to their shows in the nineties (by Bert van Marwijk?) and Luke Morley showing inbetween what a great guitarist he is, this was just a very nice evening watching a very sympathetic band. For me they can keep the tradition of returning every two years, when playing a festival in Europe. Good times guaranteed as well as a soar throat from shouting along. So after skipping Bospop I did get the extended Thunder show and saw yesterday FM also annonced for the Boerderij this year. As I am sure that all others from the great Bospop line-up shall be around within teh next year, my decision turned out to be right during these Wonder days of my life, when the summer seems so long.

Third Ion - 13/8 Bit

Looking at my last 5 posts it might look like I am stuck in the past and stopped discovering new bands. Therefore herewith a very short direction to a new band that I liked and who released a CD that gets better every time I play it. Third Ion is a Canadian Progmetal band that likes games, heavy basses and guitars. Starting off with some beeping noises of games of the eighties (sorry) they move over to a Tool like progmetal, although slightly faster. Only after a few listenings I started to discover and recognize the songs. There is one Epic one the album in Time Lapse Beta, which has some great returning themes. But I still am not sure if it is my favorite on the album. Does not really matter, as I said very short, so just give this one a try maybe you like what you hear as well.

Trespass - The Quay Sudbury, 3 July 2015

It is only once a year that you can see a show and realize that noone is going to top this one within the year. My best show of 2015 was performed by Trespass in their hometown Sudbury on a beautiful sunny Friday in Suffolk. Two weeks ago Hans & Mary asked me if I would join them with more friends to travel to Belgium for Graspop. I friendly denied as I explained that my priorities were for this show in an intimate setting and one has to make choices. Starting the Friday great meant that I could travel to England with a bermuda and T-shirts, with no need for bringing any luggage really as the Lightsmith brought us a lot of sun. Arriving in Sudbury this turned out to be a lovely town with a 1000 year old heart where I stayed at the Black Boy a few minutes from train station and venue. When asking for directions it is funny to anyone not British to learn you have to turn left before the cricket ground and leave the crocket field on your left hand side. Basically all in Holland so popular TV detectives could have been filmed in Sudbury. Arriving at The Quay a warm welcome for being one of the two foreigners showing up, by organizer Tom and some beers  got me ready to enter The Quay. Warm-up band where Ipswich band Invasive who leaned somewhat to Thrash metal corners and warmed us up well enough.

After a short break Tom introduced the show, explaining he saw them back in 1979 already, when they rehearsed at the very same place which now turned into theater The Quay. This show was all seated and with a rather large stage the ambiance was just great. All seated might mean no wall of death or slamdancing going on, but given the age of the fans who knew and appreciate Trespass this was hardly missed. As from the moment they came on, one could see that the band was at ease, the lightshow impressive and teh sound very good and clear. Being with three guitars and one bass on stage meant that a constant solid wall of sound was the base, with many harmony guitar solos flying over. Trying to remember highlights I actually believe we just jumped from one to the other. Their last CD with re-recordings of old songs was played in full, apart from maybe Bloody Moon. We also got in "Be Brave" and "Footprint in a Rock" two new songs. An to me unknown oldie "The Visionary" sounded great and the Head album was visited with "Stick in the Sea". If going to specific highlights I might mention Bright Lights, as it was one of the three songs I knew in the eighties (through taping radio show Stampij, when Holland still respected Heavy Metal on national radio). Lightsmith was beautifull and the double Eight till Five/Live it Up where metalling things up. Ending the show we got Stormchild which is such a great heavy metal anthem and a great way to close the set. One encore came in their hit "One of these Days". Seeing the long version live, makes you realize that the music business is so not fair, as this song alone should have made them a household name all over the world some 35 years ago.

Coming to the sold out The Quay was such a good decision as I loved every minute of it. So my thanks go out to Tom (good luck with stopping the new road and your bicycle paths) and Paul who offered me a pub tour after the show. This gave as an extra bonus another rock show by Silent Divide in The White Horse, police advise where to get the best pint after midnight and just a brilliant finish to this Friday. Main thanks go of course to Trespass who showed to be live an even bigger force than on CD (which I now have completed buying Head before the show). Last year I tried to get Stampede to play Holland, which did not yet work out. As I plan to see Reuben Archer at Power & Glory again I hope to make some progress. Now I learned that Trespass should be joining for the perfect double line-up. No clue if I can manage to pull that one off, but dreaming never hurts.
 

Parkpop 1983: Marillion

Today it is Parkpop day in The Hague. This free festival has known some huge names and even bigger crowds. In 1992 the peak was reached with more than 500,000 passing the Zuiderpark. Nowadays it has shrunk again and I don't really follow numbers any longer, but still over 150,000  people visit The Hague even on the rainy days. Today I won't go there, as an act of protest. Reason is the organization is brutally ignoring any international metal, hard rock or prog rock bands in the line-up. Ok originally local hard rock band Rosie were scheduled, who might have made me get the bicycle out and see them. After they had to cancel and were replaced by a guitar band there is nothing left worth going really. In order to show how good it was in the past I shall dig in my memory to review 1983's opening band of the day.

Marillion on their first tour outside the UK passed Germany, Roskilde and Parkpop! Being still unknown to the masses they were the opening band on the main stage. Due to many reviews in Kerrang those days I had discovered them before and bought both the debut album Script. as well as their EP Market Square Heroes. Those were the days when Marillion opened a new market for me in Progressive Rock coming in through the Hard Rock / NWOBHM door. Only hereafter I would learn about Classic works of Pink Floyd, Genesis, King Crimson, VDGG and all them dinosaurs. Marillion at Parkpop meant that I was standing in front of the stage with Magchiel in antecipation of things to come. As they played on the Main stage in the park, the stage was wide. With only a few people actually coming to see them there was plenty of space in front to have this show in full power coming over you. What do I remember really? well that Fish's stage presence was already very impressive and Forgotten Sons turned out to become a highlight. Also some memories of a fast growing crowd jumping up and down to Market Square Heroes vaguely comes back. Speaking about growing crowds I was with Magchiel waiting up front for things to get started, while Hans and Marcel went to see a dutch (hard) rock band at the second stage who played earlier. Coming back to Marillion they also admitted this was a pretty good live band. Thanks to the internet I coud find the setlist of that day.
1/ He Knows You Know 2/Garden Party 3/ Script For a Jester's Tear 4/ Caharting the Single 5/ Assassing 6/ Forgotten Sons 7/ Market Square Heroes.

So I did not see Grendel after all, as I don't recall any later shows where Grendel still would be played. A Year later they already were one step higher on the line-up at Hollands most famous festival at the time Pinkop, supporting their Fugazi album. The group of friends who considered Marillion among their favorites grew fast and we would have many returns of them. When Fish left friends got divided, but we still manage to fill up a 12 person house at Marillion Weekends. The quality remains, but as they say the first time is there to never forget and Parkpop 1983 was a special one. After Marillion made many new fans that day, they left the stage victorious. This only to make place for another British band makning their outside UK debut: Diamond Head. The band that brought me the Borrowed Time patch I would have as a stand alone on my jeans jacket for years to come.
So Parkpop gave me great memories and just looking again at today's line-up makes me sad.
    

Armored Saint - Win Hands Down

It's the March of the Saint! Finally all reviews I have seen mention the brilliance of this band and their complete lack  of recognition at a worldwide scale. I do remember that upon release of their debut album it was not all glory in the press with a new band getting such an expensive VideoClip for Can U Deliver and album artwork costing tons as well. Their second album Delirious Nomad convinced all that they were a name to reckon with. After playing WHD many times now, I can only conclude everyone is right. This album can stand proud among their best releases. The magic of Armored Saint for me always consisted of two items. First on vocals they have in John Bush one of the best voices in Heavy Metal and  second they swing and groove and make a very heavy form of (slam) dance music. It is impossible to sit still and listen to their songs, since the rhythm always makes at least your neck move back and forth. Win Hands Down has all the usual ingredients of a Classic Saint album. Starting with some heavy uptempo work, a semi ballad, some dancing songs and a true ballad (which for some reason appears in two versions on the album only minor complaint from my side). As I keep on repeating their groove Joey Vera should be mentioned. Known from Fates Warning, OSI, A Chinese Firedrill he is longtime bass player at Armored Saint, now main songwriter and producer as well. What a great job he did as the songs and sound are all at peak. Without passing all songs I woud recommend as starting points the title song (clip on YouTube) or my favorite An Exercise in Debauchery.

If anyone reading this decides to check out or purchase the album (which you should if you think you like Heavy Metal) please get the special edition. For a few Euro's extra you get a DVD with a full show of 2009's Keep it True Festival, some clips and the making of. This is real value for money as especially the KIT show is a must, as it basically is a best from the past for them. Watching it I remembered my all time favorite dance song in Last Train Home. This August Armored Saint shall tour Europe with Queensryche. A show to look forward to already as I haven't seen them playing live for 24 years now. In case they include the Last Train Home in their set, I am afraid Queensryche has to do without my vocal support, as I probably loose my voice on that train. Get this album, you won't regret it! 

Whitesnake - Sail Away / The Purple Album

I am fully in Whitesnake mood this week as during a work trip I brought and read their biography Sail Away by Martin Popoff. Also last week I received the Purple years their new album which is looking at the past.

Starting with the book I learned and remembered a lot reading this on many interviews based book. Together with Hans and Magchiel we discovered Whitesnake during the early years and between us I think we had all albums from Snakebite to Slide it In. We played many games of cards listening to Whitesnake and reading now their history following their albums I realized how good they were. Actually a few years ago I found their compilation The Early Years discounted and I think I can say it is my favorite Whitesnake album since it covers exactly the period mentioned above. This book taught me that the band considers Ready An' Willing and Come An' Get It as Highlights of that period while Saints&Sinners was considered a step down as the band was falling apart at the time. Good to read though that David Coverdale mentions that when stating this before people came to him telling him S&S was their favorite. Reading back through their biography I would probably mention also S&S as my all time Whitesnake favorite. Maybe biased by the fact that I saw them first time live on this tour when they played Vredenburg Utrecht January 1983. But Here I Go Again as well as Crying in the Rain would definitely make my Top 5 (or even 3?) of best Whitesnake songs ever. Returning on their 1987 album I can say that the rough versions from 1982 were my favorite ones.

Then came the album 1987 (or just Whitesnake in the USA) which sold them about 14 Million copies and made them huge all over the world. Very interesting to read how singles were the main way to break them big and the Videoclips on MTV did their job as well. The lack of singles made them step down to "only" 2 million sold copies of follow up Slip of the Tongue. Again I am rowing against the stream, as when not considering the upgraded versions of old songs for me it is Still of the Night (1987) versus Judgement Day and Sailing Ships (SOTT) and the latter album wins. Also the role personal did or did not play on the albums brought some insights in the way the music world works. Never realized I was listening at times to the great Dann Huff (Giant anyone?) and never really to Adje Vandenberg or Vivian Campbell.

Whitesnake through the years never did a bad album really and I saw them on the Restless Heart Farewell Tour which ended in South America end 1997 when I was living my Brazilian Years. In 2006 they were on Arrow Classic Rock Festival in Holland and being the only one of my friends going more up front I loved the show, while others considered voice, sound and wind turning this into a weaker show. Now after releasing new albums Good To Be Bad and Forevermore, Whitesnake is back by going back in time. The Purple Years is a collection of songs from the three Deep Purple Albums David Coverdale sung on. Admitted I also do not know these albums in full so part of it is new to me. Next to Classics like Burn, Mistreated or Stormbringer I did get a valuable history lesson here.

In December Whitesnake Tour Europe and they are back in the renewed Vredenburg in Utrecht as well. For nostalgia's sake I need to be there, hoping work allows me to be around at the time. Even if they might concentrate on Purple Songs and their Hair Metal Years I hope any title song from their golden years (1978-1982) shall make the setlist as well. Whitesnake might go under my radar every now and then, but what a huge list of great songs they have given us. Guess I am going to get my ticket for 2 December already.

Hell - Gebr. De Nobel Leiden 24 September, 2015

Doomsday Celebration was the actual name of yesterday's show, where ten bands would play from 19:00-02:00 over the two halls in beautifull Gebr. de Nobel. I basically came to see Hell, who were announced first and made me hope on some more NWOBHM or Dutch Metal (the 80's compilation) bands to join them. The festival was however looking at the more extreme spectrum so Black and Death metal came by in several forms. Most bands were Dutch and unknown to me, so I decided to see the ones playing before headliner Hell would hit the stage between 22:00 and 23:30 and then try to catch a train home. So I was introduced to Countess (Black metal vocals, over some slow NWOBHM ish metal) Soulburn (Fast and furious, good live show) Heretic (Sleaze, Venom, Punky I would have loved the US Heretic of Mike Howe/Metal Church vocalist fame much better).

As mentioned I came to see Hell. Two years ago they headlined NWOBHM day at the one-time-only R-Mine festival in Belgium and I was blown away by the great live show for such a relative small band. Memories of Maiden or Dio in the eighties came back. This time it would be not much different as they hit the stage in style and gave us so much more of a show than you used to see nowadays. Apart from the show, the music is top-notch as well. Heavy Metal as it was originally meant to be with double guitars, heavy bass, spooky key intro's and solid drums. While musically he might not be the man behind the band on stage the attention is all the time drawn to vocalist David Bower. His outfits, his expression and very dramatic presentation make Hell Live a must see spectacle.

The show it self gave a great overview of both CD's opening with The Age of Nefarious, before being welcomed to Hell in Let Battle Commence. As this was Doomsday problems were bound to appear and some technical hickups came by. During Plague and Fyre the tape with No,no,no did not roll and the audience was not loud enough as a substitute. When playing "Something Wicked This Way Comes' the fire alarm went off and the hall lights automatically went on. While the band played on only the bass good be heard. Later I learned this happened before in this hall and was caused by smoke effects. As the band at first did not notice they continued playing and after a minute or so the sound came back and off went the lights. These minor interruptions did not make an impact on the band and they just kept going. With Priests, goatlegs and horns, bloodwhipping, lots of smoke and the 666 flag on stage there never was a dull moment as time flew by. For me Hell proved again to be one of the better live bands around nowadays, who take care of presenting their audience a show in great eighties style. I wonder if on CD they can still surprise, but seeing them every now and then live shall definitely never become boring. For now their anthem "Save Us From Those Who Would Save Us" shall be in my head some time.