Thursday, 30 October 2025

Coroner - Species


Technical Thrash Metal. Loved it in the late eighties when bands like Toxik, Watchtower, Hades and Annihilator released some of the best albums in thrash. Now end 2025 these two bands create a sort of revival.


Coroner - Dissonance Theory
Coroner is one of those many bands whom I missed when they originally came up. I did not have their albums, nor anyone near me. No internet meant missing out. I even saw them live, but that was when they opened for Watchtower who came touring one of the best albums ever released Control and Resistence. So I was more anxious on what was to come, than paying attention. In hindsight a mistake as Coroner play very close to my prefered styles. In 2016 I first dove into the band when I bought their DVD with live shows, a documentary and a CD. Dissonance Theory is their first studio album in 32 years and to start with the best it is the comeback of the year, even if not for me as I was not in the know in the early nineties. This album holds 8 songs plus an instrumental intro and outro. It is impossible to name one favourite song, as they are all very good. If you like a clear produced thrash album, filled with hooks, riffs and solos of the catchy kind than get this album. I bought the CD version which holds as a bonus their 1986 demo with Tom G Warrior on vocals. A must hear album to all into thrash and prog as well.


Species - Changelings
When you say Poland and metal first thoughts go out to atmospheric progmetal of Riverside or extreme metal by bands like Behemoth or Vader. Now Poland also gives us a highflyer in the technical thrash metal genre: Species. Formed in 2018 and releasing a debut album in 2022 which I missed, Changelings is their second full lenght. Seven songs with all those treats you like in tech metal. Fast rolling riffs, breaks, solos and a dominant bass come to the fore, while they keep their thrashing up. Dressed in Hawaiian shirts this trio knows how to keep my attention spanned. Seven songs and just over 40 minutes is the perfect lenght for an album like this with so much happening. Would be nice to see them coming to The Netherlands in 2026.



Monday, 27 October 2025

Samhain Festival (Day 2) - Muziekgieterij Maastricht, 26 October 2025


Samhain festival in the Muziekgieterij, that meant two firsts for me: festival and venue. The festival is build around black metal mainly. Do not think of the church burning face painted black metal, but more the save the planet variations. Lots of atmospheric long build ups here. Now Black Metal is not my base stream in metal, but the Sunday had my three favourites of the line-up playing. Knowing that Frank would be there with Daan , so no wandering around alone made me decide to drive down to Maastricht. Rain and a badly signed roadblock around Eindhoven resulting in a large detour, made the way down a long drive indeed.


I knew I would miss part of openers Wiegedood, but did not expect this much. The band Wiegeddod would open the festival playing two hours passing their De Doden Hebben Het Goed trilogy in full. The last bit I did see sounded good. Dark moods and atmosphere is their thing over long songs. 


Next band were Phuthulmu. Not an easy name, nor is their music. The only vowel they use in bandname and songtitles is the u, but you struggle understanding anything anyway. The small hall meanwhile turned out to be of very decent size, so throughout the day there never was a moment it felt too busy. This also as the festival did not sell out. So I stayed short and checked out te venue better. A great large hall with two balconies going high up. A large bar area with lots of different beers, which I did not touch as driver. Than upon entering there was enough space with some foodstands and merch in a different side hall. So the venue overall was great and I hope to be back more often.


Meanwhile in the main hall Sylvaine were preparing themselves. This band is build around Norwegian multi instrumentalist Kathrine. When the band kicked off her heavy vocals surprised me, as her fragile looks made me fear angelic singing. That was a plus and so were the French /German band. They went through their dark set in style and I liked it from start to finish. Maybe not for me to play at home, but live a good band. We agreed that Daan's idea for them to sell huge blond wigs as merch should be a hit.


In the small hall the metal was upped hereafter. Necronautical played a set that came closest to a proper metal set. Lots of energy, lots of fists in the air and a set that flew by for me. I also meanwhile found out that staying inbetween the Baroeg alike poles gave a better overview of the stage. For me Necronautical became the first true highlight of the day and I knew a next one was waiting fo rme.


Fen were preparing themselves in the main hall and they were the biggest reason I drove to Maastricht to start with. I saw them once before, when they toured their magnificent Winter album. I told Frank and Daan I considered them to be the Rush of Black Metal. This maybe mostly based upon the tact that they are a trio and vocalist /guitarist The Watcher looks like Geddy Lee from a distance. Musically their music is atmospheric Black Metal with long songs, where at times clean vocals are blended in. During the first song sound was being perfected, but hereafter we got a beauty of a show. Their energy on stage was great and the playing tight and flawless. This hour really flew by and they reconfirmed to me why  consider them possibly my favourite black metal band.


For me at festivals after an absolute high the next band suffers. In this case Shagor, from The Netherlands. I gave them a few songs, but than went for a bite. Being a Dutch band I count on seeing them again somewhere along their tours. Meanwhile it turned out that the vegan paddo Kroket was great indeed. 


In the big hall it was time for Winterfylleth and I decided to watch one show from the balconies, being able to hang for a bit. Winterfylleth I saw before with Fen and they play Black metal, but their looks make you expect different. Three vocalists with one being the guy from Necronautical and one Mark Deeks I know from Ard. It was nice to see keyboards, being played live on stage and adding to the fun. This was again a pleasant surprise as I did not expect liking them this much. 


Hemelbestormer play instrumental black metal and are Dutch too. I looked at the remaining program and decided to give myself a rest. I saw one song and went  looking for a chair in the bar area for talking music and life with Frank and Daan. Interesting how Maastricht being three hours away still resulted in meeting more known faces over the day. It's a small world we walk in, when it comes to metal in Holland.

T

he second main reason for attending Samhain for me were on next and this was Dodheimsgard. I saw them a few years ago in Musicon and loved their set. When they released Black Medium Current two years ago I bought it and it still an album I go back to when I want to hear something extreme, yet different and orignal at the same time. They opened the set with the opener of BMC and immediately it was clear we were in for a treat. Their frontman Vicotnik is a performer we had not seen yet on stage. Crawling around, dancing wildly or banging his head, he kept all eyes on him. Well not only him as the different looking band memebers also impressed massively. Looking at show and performances this was the highlight of the day and also musically they were ace. It Does Not Follow was maybe the absolute high to me, as I do know the song and the danceable intro is so damn catchy. If I liked their show last time, now I turned into a proper fan (just like the Fen fan in me).


So after a highlight etc. Well Sunken came on in the small hall ad were comepletely differennt indeed. These Danes from Aarhus presented the thickest wall of sound of the day. The shrieking emotional vocals over it made it an impressive sight. Yet for me it reminded me of the Blues. After some 20 minutes I saw enough, while to Daan they were the highlight of the day.  


And than it was closing time with Moonspell from Portugal. This tour they only go back to their past, playing Wolfheart in full. It was immediately clear that we got a band with experience on stage. On the vocal front being helped by the female vocalist of Glasya they presented their album great. The only side step was to their EP that came before. I liked it all over, but the songs where they go too folky and almost pirate metal could have been skipped for me. Than again I am not the most typical Moonspell fan as my favourite by them is 1755. Well it was great ending with a set I did recogniz eand than it was driving home, which all went smooth. If one thing got I confirmed today is that I shall follow de Muziekgieterij agenda more closely. A lovely venue and who knows a weekend Maastricht is in the cards one day.



Friday, 17 October 2025

August Life - Cea Serin - In Mourning - Tiberius - Voidchaser


Another Progmetal attack to remind me where my comfort zone lies.


August Life - Passage of Time
In 2018 August Life released their debut album New Eternity and I was pleasantly surprised with this Dutch band. Now they are back with Passage of Time and it still sounds good. Actually on my PPE recommendations for 2026 I mentioned them as the Dutch band. They might not play progmetal to some purists, but those into PPE bands like Jon Oliva, Crimson Glory and Symphony X definitely must find something to their liking here. So bordering between Heavy Metal and progmetal most striking to me is the build up of the CD. Opening with their 12:28 epic Guidelines and closing with two of the calmest songs. This also hints at their diversity through the album and when than Bryan's voice at times reminds me of a heavier Graham Bonnet we have an album that is a joy from start to finish. After their debut I believe Covid stopped them from touring. Let's hope they play in a venue nearby any day soon.


Cea Serin - The World Outside
In the category surprising comebacks Cea Serin scores very high on several fronts. I only had their 2004 debut Where Memories Combine. Missing their 2014 album they are now back another 11 years later. The biggest surprise is that to me this must be one of the best progmetal albums of the year. Six songs lasting 70 minutes and all of them between 10:07 and 13:30 minutes. Somehow the songs don't seem to be long. Cea Serin are actually a duo who do get help. Rory Faciane on drums and percussion and Jay Lamm on guitars,  vocals, bass and keyboards. Further we get many guest guitarists including one solo by Steve Blaze (Lillian Axe). The fact that these long songs fly by is a sign of their strenght and I don't have a favourite between them.  Dare I say that the world would be very happy if Dream Theater would release an album this heavy and good this century? Yes I dare to state that and anyone into progmetal should check this out.


In Mourning - The Immortal
In Mourning do not play progmetal, yet they played PPE twice. I love their doomy proggy melodic death metal. This is their seventh full lenght and it might be among their very best. Slowly over time the clean vocals increased and now most songs hold them. Still the overall sound is of the heavy melodic death kind and I can't wait to see them in March in Utrecht. Few bands know how to mix the melancholy and the melody this nice with the very heavy. Even the artwork should result in nice grey T-shirts. A very complete album I shall revisit lots of time still.


Tiberius - Singing For Company
Tiberius were the ultimate party band at this year's progpower. Never standing still on or off the stage I picked up this 2025 album after their show. I am glad to inform that at home without the partying the music holds firm too. Musically I think at times of bands like Protest the Hero, upbeat modern prog, with djenty bits. Vocally Ton was right and Myles Kennedy comes to mind. If I have a comment it must be that lyrics coming with the CD would be nice as online they are available. These Scotts are from Edinburgh, so I hope one day visting their beautiful hometown again and see them playing in Bannermans.


Voidchaser - Trust & Solace
That tremendous Sunday afternoon at PPE this year resulted in two new favourites. Voidchaser played 
after Tiberius and kept the party going. Less jumping around, but musically to me a notch better. This band came closest to tech metal at this year's edition and tech metal is what I love. They are also not afraid to mix the extreme vocals with the clean and mostly over frantic or epic music. So far they released three EP's only, so I got the last two. EP's they are, but because of instrumental bonus versions lasting 40 and 60 minutes. Well that Inside Out hobby of adding instrumental disks is not for me, but here it works pretty ok. Still I now wait for a full lenght with ten songs. Same comment as above on missing lyrics, so please include with the full album.





Sunday, 12 October 2025

Metal Experience Fest 6 - Nobel Leiden, 11 October 2025


Metal Experience Fest, what started as a triple birthday party now already reached edition 6. This time only the big hall of Nobel and all bands somehow linked to thrash metal. Even so a varied line-up and two international headliners of name and fame. So going there was no issue, getting there was. No trains between The Hague and Leiden today due to maintenance. Taking a bus instead was longer but OK. Unfortunately trains heading for Leiden from both Haarlem and Hoofddorp were suffering unscheduled obstructions too, so I guess some people arrived late by public transport reasons.


First band on stage were Silenxce from the bollenstreek. Even being from not that far from my home I had never heard of them before being announced for MEF. They play thrash metal, but not of the most aggressive kind. Actually I thought at times they would fit at ProgPower too with their technical parts woven in. They even stated leaving the calmer songs out, so maybe even more variation comes with a longer set. They looked like an old band reforming every now and than. But their rather static presentation was compensated by good musicianship and nice songs. A good opener they were.


Next band were Grindpad from Utrecht. I've seen them before this year and Grindpad is good at making a party. Now on the large stage gave them more space to run around and yes sharks would fly. Their image is build around a shark and a bitten surfboard (two on stage). Their banner is impressive and I had to laugh at how the design showed four sixpacks, while on the stage I spotted more beer bellies.  While they were here to give us a party, their music is good too. So I stayed inbetween banging my head and havng a laugh throughout their set. 


As if one party was not enough, Insanity Alert came on next. These Austrian thrashers with dutch vocalist Heavy Kevy also guarantee a party. Performance being hectic and fast lots of jokes to keep that Grindpad smile on my face still. Some might say that songs like Run to the Pit and Beer in the Park are hard to take serious, but I loved seeing them again after a few years break. Highlight of the cover parts was to me Moshemian Thrashody, Caught in the first row, no escape from the circle pit. Recovering forces at the lobby, where lots of people I know were walking around.


So I missed the opening track of Hellripper. Possibly the band I looked out for most, as I saw them two year ago twice and bought most of their albums hereafter. Hellripper plays speedmetal with old skool black influences. On album a soloproject by James McBain, live he gathered a strong band around him. So when I found my spot at the floor to fully get into their show desaster struck quick. The band noticed first that a woman or girl was not well and collapsed. Now I do not know what happened so no point in speculating. But when we were all asked to leave the hall the mood was down and worried. After a while the hall reopened and Hellripper could continue. For me the night would not go back to the high from before. This also as I now watched from the end of the hall, getting less into the show.


Headliners Angelus Apatrida now also started a bit later and I already decided to stick with my bus home as scheduled. So a reduced show I got from the Spaniards. Yesterday was not the first time I heard them being called the best European thrash metal band of the moment. I could see where that is coming from as AA are a powerfull machine leaving no prisoners behind. Well prisoners or not left behind I decided to go, just like more people depending on public transport. The evening was a succes and I hope that next year MEF and I are back in Nobel for this gathering of metalheads.

Monday, 6 October 2025

ProgPower Europe - Sjiwa Baarlo, 3-5 October 2025


ProgPower Europe celebrating it’s 25th edition was something not to miss. I was not the only one thinking so, as a first gift back to organizers was the sign Sold Out at the poster. This year the line-up was maybe the most diverse ever. PPE since long is not purely focussed on Progmetal, but we also get the extreme metal blended in and the (too?) soft prog rock. So in my ears noone attending this weekend could love all 14 bands. At the same time there must be something for everyone. We this year meant the same of group of 12 people as last year. Also since bold bastard Gilles still did not manage to sell his campsite de Berckt, we moved out to Heldense Bossen again. A nicer campsite as such, but a scary bicycle ride through dark forests home at night. If  we than add the weather forecast for the weekend and we knew that excitement was coming our way on different levels.


Arriving on time in Baarlo, meant the usual get yourself a locker, a beer and say hello to many known faces walking around. The real start this year came by Nospun. This being an American band forced me to make some observations. We heard keyboards, but they were not as such on stage, but coming from a laptop called the Anchoret. Further at least two of their members are in trouble if their day-job happens to be general in the US  Army. Well they were at Progpower now and noone cares what you look like as long as you play good music. And playing good music is what they did. I never bought any of their music, but listened in the past to their album and ep online. So I did not recgonize any song or title, but liked their set and especially the two long instrumentals were fine. This is strange when you consider that the vocalist had a strong voice indeed. So while Sjiwa was getting very hot, I was getting warmed up by the music on stage. A fine start we got, even if for me the guitar and bass could have been a notch louder in the mix. In the mood I decided to pick up the very nice festival-tee. This only to find out that my size was already sold out. That can only mean that too many tiny people buy too large sizes.


Extol were the headliners for the Friday. This made me happy in various ways. First I do have three of their albums and second I never saw them live, At the same time I realized this was a bold move by PPE, as whatever you think about Extol, they are definitely not for everyone. If than also the vocalist is a new guy from Denmark, who mainly uses his screamo voice hurdles rose. So I was not surprised that after some 45 minutes half the room was empty and the other half enjoyed their weird extreme blended masterclass. For me the start was not their best part, When guitarist Ole started singing along with his clean vocals the overall mix improved for me. That was when I remembered seeing him with Fleshkiller some years ago. Luckily they did play the only song I immediately remember by them Gloriana. For me a true highlight, even if my fellow campers all  11 went to the basement during their set. So I did get a Friday evening worthy of a 25th edition. A few beers in the basement and an almost safe bicycle trip home. Turns out that putting Amii’s chain back on your bicycle in the dark results in black hands for Peter and Leah. But we survived, had a last drink and tried to sleep through the storm.


Good morning campers! It is raining cats, dogs and acorns. We had rain before at PPE, but these amounts got our trailers leaking and our bospaths  muddier by the minute. In the end forecasts told us that around 12:00 matters would improve and they did. Just when we planned to leave in order to arrive on time a terrible last attack meant we waited inside. Off we went and the bicycle paths were surprisingly good on the way, only my rental bike was hidden in mud now.


This did mean that entering Sjiwa was only possible when the Cryptex were some 15 minutes in their set already. They said they played de Boerderij before a semi-home venue to me, but I never even heard of them. This trio consisted of on the left keyoards dressed up as a piano and the vocalist. Centre stage behind it was a masked guitarist and on the right we watched the drummer sideways. Musically I was pleasantly surprised as they mixed bombast with prog and notches of metal at times. The vocalist was quite the performer, but his jokes were at the edge of acceptable or boring to some. I had a good opening band and Saturday was off to a good start. This was when I realized I missed my after each two bands chat with Christian where we often agree on the good and the bad. Wishing him a quick full recovery.


Next band would change the stage setup again as now the drums got placed centre forward. This because the drummer also sang and they were with three only. The other two members both played guitar following the recent trends of bassists gone missing. The looks of the band were not the most  charismatic of the weekend as the guy on the right looked like a Roumanian waiter, while his friend on the left looked like an Irish darter who just did not qualify for the World Cup. Trylion was their name and they came from Poland. Musically they were heavy mixing mostly extreme vocals with some clean ones. I stayed half their set as after a while I missed songs that stuck in my head.


Next on were Mayfire from Norway a band that Hans tipped me on as a potential highlight. Let me first get the elephant out of the room: fok facemasks. Hiding your face adds nothing for me and their black scarves made me fear they were going to throw rocks at us any time soon. Luckily musically they indeed were a highlight . The vocalist had a strong voice and the band knew how to play well, packed in fine songs. As they have one album only so far, that is what they played plus a new song. For me a very enjoyable set and when it was over we were asked not to leave yet. Those shouting for an encore got it wrong.


Martijn took the stage and introduced to us the mayor of Peel and Maas. No political speeches luckily, but he was here for a much nicer reason. Rene was presented a royal order and became lid in de orde van Oranje Nassau. In the Netherlands our king can grant such an award to people who got proposed mostly based upon their voluntary work and service to the community. Well when the mayor read out the full lists of voluntary positions, including organizing PPE, this seemed more than deserved. A nice new  highlight of the day it was and Rene seemed speechless for a while.


The dinner break got shortened by festivities so I stayed in waiting for the Dutch band of the weekend Elegy. Now I am Dutch and I follow progmetal since it’s birth (no official date, but it must be somewhere inbetween 2112 and Operation Mindcrime). Yet I never saw Elegy performing live, nor did I ever buy an album by them. In hindsight a huge mistake as they quickly turned out to bet he highlight of the day. We got a band on stage playing what you heard, great instrumental bits and with Ian Parry a great frontman. Now Ian I did see before, when he sang with Vengeance (for PPE visitors not knowing them a certain Arjan Lucassen was in that band too). Elegy was quite a bit heavier than that and while going through their catalogue we got one winner after the other fired at us. This was a Prog Power metal band in the true original sense and I loved it.


Next on were Major Parkinson. After yesterday’s Extol another band that would split the audience I knew. Many people seemed to love them and also many consider them just weird and at the wrong festival. I tend to be in the second category, but decided to give them a fairer chance this time after the three minutes I gave them some years ago. So I first had a pizza and than entered Sjiwa twice to see what was going on for some two songs both times. Well at least this time I understood why people do like them. Still for me a bridge too far. Their vocalist reminded me of Fish in a strange way, but than without the music of Fish unfortunately. Even within our group reactions moved between “this was brilliant” till “can’t be arsed”.


Closing the day were Vandenplas. They came in at a late moment when The Dear Hunter got cancelled. For me initially a good move as I was afraid of two prog rock bands closing the day would be a bit much for me. Vandenplas  plays progmetal from the nineties which was when the genre boomed. I liked it that they opened with Push from  Colour Temple. That was the first tour I saw them playing live in Blokhut Rotterdam. I did see them a few more times over the years, but stopped buying their albums after their nineties albums. Now some factors that did not help me getting really drawn in were: An old man like me gets tired after a long day. The beers passed by too fast over the day especially during Mayfire and Elegy when we all were in, after three songs we got a drum solo and finally the sound was a bit muddy. So I stayed for a few songs, walked out in order to return for a few more songs and than joined the gang cycling back home when Andy Kuntz was still very German on stage.


Sunday started off better than Saturday as the sun came through the clouds at time. So no delayed rides made me arrive in time to see Traels kicking off their show. I had never heard of this Belgian band before, but they started the day pretty fine. The drummer was sitting sideways again and he also took care of vocals. A nice voice he had which suited the music. The music did made me think of several other bands at times. There was prog but also post metal and some groovy bass pumped songs. The overall atmosphere was more depressevie in a Katatonia way. All dressed in black apart from the guitarist on the left who brought the colour wearing dark blue. Hans and Ton ran after a CD or LP, I did not go so far, but was pleased with these openers.


This year in March there was Marcelfest and I was not in the country. The hype I heard most mentioned thereafter was Tiberius. They seemed to be good in creating a party. Well that was no lie as these guys jumped around like it was 1983. Being it either on the stage or in the venue they were wildly moving around. Than there was Duncan the skeleton dressed in Tee who went crowdsurfing to the back of the hall and via the other side back to the stage. Hereafter there were airy beach balls bouncing around in the air and a circle pit had Connie joining in scootmobile. Now if you were not there, you might think they are a gimmick band. That is when their songs and instrumental domination kick in. I am now playing my newly purchased CD Singing for Company and it works fine at home too. Thinking at times of  Protest the Hero, while I also hear Ton’s commented vocals like Myles Kennedy. Definetely a band I will travel for when these Scots come back to The Netherlands.


As if Sunday afternoon was not good enough yet, next on were Voidchaser from Montreal Canada. Their progmetal is of the heavier kind with a fair bit of the vocals being extreme. So only reading that chances of me liking them were huge. If you than add again a very lively and loose presentation and we were in for another winner of the festval for me. We can only hope that all those bands(No need to mention names here) where members are not leaving their square meter were watching and learning too. Their tech metal came over really well with most people and close to the end they gave us an epic, that was epical indeed. I got their last two EP’s and now we wait for a full album. As they are also involved with the new prog metal festival Progstorm, I might have to start negotiations with  Josie about a trip to Montreal next year. Finally I did not know what all these thumbs up were about, but anyone saying f"ck the hand hearts shown to the stage has my sympathy. 


After such a good afternoon I needed some time to catch my breath again. This over a few shrinkflation beers in the hall still. So we missed the dinnerbreak and that would go at the cost of Kyros. I saw the band twice before, when they were still called Synaesthesia. That was at prog rock festivals and that is my point. Obviously  nowadays most visitors do believe prog rock bands do belong at Progpower. Just look at the success of Major Parkinson, Meer and Kyros too as I read. In the hall a huge banner showed the history of 25 editions (apart from 2024’s Sunday missprint) In 2002 A.C.T. played and at the time there were discussions if a band that light belonged at Progpower. Nowadays a definite yes, in those days pretty questionable. Since I am old and traditional to me all progrock bands can leave Sjiwa for good, while realizing I am a minority here. So I plan my food breaks around those bands. Result of this fairly long intro: I saw one song of very colourfull Kyros and left for food in Baarlo.


Kingcrow were next and again I need to explain something. Lots of the more recent progmetal bands do impress me so I start buying their albums and live they seem as good. Than after three albums I realize I never play their albums. I meanwhile saw them live mixing good and not so good shows. So I stop buying their albums, but can still enjoy their live shows. Examples plenty but looking at PPE: Leprous, Caligula’s Horse, Vola, Voyager and Prehistorc Animals come to mind. Actually I only still buy anything Haken from that generation. Kingcrow I discovered with Phlegethon and I bowed out with Eidos. Yet live I never saw them disappoint. Tonight would not be much different, but circumstances were far from ideal. After eating entering a hot Sjiwa and watching more towards the back, meant my energy levels dropped dramatically and after some 45 minutes I moved to the basement. Kingcrow meanwhile were being Kingcrow and that means good. Maybe a bit more variation between light and heavy would have given me another 15 minutes, but it was good.


Threshold headlined the first ever ProgPower, so nothing more logical than inviting them back to close of the 25th edition. Now with Threshold I have a longer history than any other band playing this weekend. The year was 1993 and The Hague still had several CD stores specialized in metal. So one day Kees from Kees CD told me “you are into this progressive metal, try this band out”. That was Wounded Land, I listened and the rest as they say, is history. In 1995 Threshold came to The Netherlands and we attended  their tour. This day at the Merch stand they sold one longsleeve of that tour, which I still have in T-shirt form. Peter bought it again due to a personal story, which involves the birth of his oldest daughter Amii who was here the weekend with us too. Back to Thereshold I saw them several times over the decades with all vocalists apart from the Italian stand-in during their last tour. Now my energy levels were low and I was doubting if I could make it till the end. So I already started saying goodbye to Michel and Esther before the show and than the beauty of music hit me. Threshold on stage were quickly provng I needed to see their full show. With every song I got more energy and Glynn’s voice warmed up better too. This was a beautiful show, build around the last two albums. Luckily with lots of trips back in time too. Threshold are just a very solid band and what a great way to close the festival for me this was.


So than it was over and we moved back to the campsite. This year again had no karaoke, which was a pity as I was prepared to entertain a packed basement with my tribute to Ozzy in what is his year really. Finally this year I do not only want to thank Organizers and all volunteers I also give them some free  advice for an awesome 2026 edition. From the USA the two best US progmetal bands of recent years, both releasing two amazing albums this decade, Lunar and Imminent Sonic Destruction. From mainland Europe: Eternal Storm, The Moor, Philosophobia and Pentesilea Road. From the UK: Ophelion and Synaptik. Irish The Enigma Division and representing The Netherlands August Life. From Brazil Papangu (more than one T-shirt spotted in the crowd) and Jack the Joker. Than you only need three headliners which should be Watchtower and Eldritch (both never before at PPE after 25 editions???) and finally A-Z, Oceans of Slumber, Wolverine or In Mourning maybe. Seems a damn fine line-up to me without too soft progrock acts to scare us away, nor too low grunts for delicate ears. With the early bird tickets expiring today, I decided to go crazy and buy a new ticket before the festival was over. Hope to see all I met this year again and those whom I missed I might speak to in 2026 if my above revelations did not scare or piss you off.