Progpower for us always starts at campsite De Berckt on Friday afternoon. This year the Pre-party had with Novena a very promising name. Unfortunately only a trio and playing an acoustic set. So I did not go out of my way to find a sleeping spot for the Thursday and attend. Arriving slowly, bockbier and preparing your trailers for the weekend. Us this year meant 13.5 as Ton made his PPE debut only joining the Saturday (we all know what that means for 2024) and Peter sadly had to cancel after a fall and two broken ribs this very week. Due to several reasons (work, holidays or not impressed by the line-up) we missed four more faces, but Peter and Marga brought with Amii and Sven plus Leah the next generation next to Gwenda who did join already some 17 years ago for the first time bringing Peter making a debut. So the mood was set and good, but how about the program? Well this year PPE was different as they did not book any headliners of fame. Before people read this negative, some explanations. This year no bands of the Progmetal Champions League were booked. This only in name and fame. For me that did not matter much, as often I love the bands playing around the dinner break the most. OK when some of my favorite bands headline like Fates Warning, Psychotic Waltz, Redemption, Threshold or Shadow Gallery I am very very pleased. Still sometimes you have bands who made their name in Progmetal (no need to list names here), but lost me along the way and I might well prefer a more unknown band making their debut in style. Another positive point was that this year no band was booked, which made me raise an eyebrow in advance for being far too soft for the festival. Still I did not know many bands in advance so surprises both positive and negative could happen.
Finally there is the competition in gig land. Not only in general metal shows, but even in progmetal itself there are other alternatives. Some bands who first broke through on PPE, played last year during the same weekend two shows in Holland and are now filed under Traitors of their original fans. Yes, shame on you Vola and Soen. Than de Boerderij seems to be turning it into a sport to book prog (metalish) bands during PPE weekend. This year Arena and the Aristocrats played on Friday and Sunday. Both also having one other Dutch show over the weekend. The Manofmuchmetal (missed for a chat) put me on the trail of Martin Miller earlier this year. He played Tilburg this weekend, but luckily a covers only set, so no big loss. My home venue Musicon in The Hague would normally see me both on Saturday and Sunday this year. Saturday Loud & Heavy Fest with Neverus and Martyr (with PPE veteran Vinnie on bass). On Sunday they had Brazilian Semblant with Romanian White Walls (ex PPE) as one of the supports. Still all without a chance, but one festival over the same weekend did hurt me (and some others) more than a bit. If in 1990 anyone would have told me that a festival within driving distance would take place with from my record collection Flotsam and Jetsam, Q5, Metal Church, Brian Downey, Dirkschneider and young strong metal bands like Ambush, Phantom Spell, Tailgunner, Evil Invaders., I would definitely be there. To make matters really hurt they even had Watchtower on the bill, a band I have been asking for on the PPE feedback form since 2000. In the end ProgPower stands above all others for the whole experience. Further those who are not just looking for the big names (and aren’t we all?) would agree that 2023 on forehand offered a very diverse and strong line-up with something for almost anyone.
Anyway, back in Baarlo is a shere joy and
after a fine meal prepared by Mary (thanks) it was off to Sjiwa, where I would
bump into countless more Progpower friends. Unfortunately not all could make it
this year and some were dearly missed. Biggest loss might have been Pois Chic.
On their farewell tour of foodtrucks, Baarlo did not fit in the schedule during
last weeks. So no very tasty food from Andy and Debbie and even worse, no
always pleasant catching up with both. So after parking our bicycles at the new
designated spot in front of Centraal the festival could start.
Before commenting anything on
opening band Earthside let me first get the pink elephant out of the room. Lead
vocals coming from a box are one of the eight deadly sins. I read about this
sin in a deadly oneliner review of their show last week at Euroblast, so I was
more than a bit sceptical in advance. When the band started playing it turned
out that the music was really good. It always is strange to hear a voice while
not seeing same. Still I pretty much liked the music. I also rememered that I
saw them before some years ago in Duijcker. What I realized during the show was
that maybe they are better on CD than live without the vocal confusion. My
final verdict was positive though, but one person needs to be named still. The
keyboard keytar player was running around wildly most of the time. When he
announced that his dad was in the hall who was 66, he made it sound if that age
is really ancient and life is nearly over. Well we have two 60+ granddads in our group
too and several people including me pushing 60, so an unnecessary insult during an OK show.
At the same time they made a national Dutch newspaper with their family trip together
to Baarlo.
Headliner on the Friday were Wheel
from Finland. Their pink elephant is called Tool, but I do like the debut CD I have
by them. Live it turned out to be another nice band who I appreciate, but did
not shock my world. After a while not knowing all, the songs started to sounded
a bit samy to me. But the performance was good and the audience seemed to like
them. People knowing their full discography told me that towards the end the best and old came as the songs got heavier. A nice first evening closed by a quick stop in the basement and at the
campsite another tradition Knackies with a final beer.
Saturday always has the problem of
the too fast and to much drinking on opening Friday. So arriving semi hung over
to find a band playing instrumentals only. Than they are Dutch as well, so I
might see them again anytime soon. What I did see sounded pretty nice actually,
but sitting in the basement was a nice alternative kicking of slowly and regaining powers.
Next band were Chaosbay from
Berlin. I knew nothing about them and they showed what is so nice about this
festival, they surprised very positively. Their style is more of the djenty
metalcore with breaks in it, but lots of energy coming of the stage and back to
them again from a very appreciative audience. Chaosbay showed that every
line-up deserves one or two bands from this genre, just to entertain and
energize us all. At the same time Chaosbay are not the first German band whose
vocalist shows some Bono behaviour telling us how to make it a better world.
Preaching to the converted in Baarlo really where you can start a nice
conversation with basically anyone you meet. So as a rule of thumb. Mentioning your ideals once is appreciated and ok. Doing so three times in a row is not needed. Still teh most heard phrase over teh weekend hereafter "to my surprise I really liked this metalcore band".
A band with a complicated name,
coming from Slovenia. Another one I entered blank and I had problems
pinpointing them. The Caped and hooded Jon Oliva lookalike brought the heavy
voice inbetween his struggles with his outfit. The clean vocals came from the blue haired guitarist, who was not always hitting it rightl. Musically I was as
confused. Bits and pieces were really great and the blend of styles worked.
This to get me off track again soon, with some non-cohesive work. In the end
their set did not grab me and I went to eat something as the evening promised
to be the highlight of the weekend for me.
Dordeduh are from Roumania and I
knew I would like their set as I saw them before. I suppose not all of you
speak Roumanian, so some help first. Dordeduh means Through The Door, if you are from The Hague that is. Last time I saw them they were on tour by van. So
what? You might think, well what a lot as they brought all kinds of different
instruments at the time. I remember some huge horns, and a sort of guillotine
which they hammered on. So now several sounds came from tape. That did not
matter at all to me as this was one hell of a show. This band showed they have
lots of mileage on stage (ex Negura Bunget) and that came back in confident performance and
playing. To add tot he fun they also brough a painter, who live painted a
painting, shown on the big screen behind them. A first asolute high of the festival to me.
Talking about highs, if I was
looking forward to one show this weekend it must have been An Abstract
Illusion. Anyone who loves their prog blended with extreme metal agrees that
last year’s Woe is a masterpiece. So the question was how much would they blow
me away. Well to start with, they started late. Sound issues and some confusion
on stage. When they did start the sound issues had not disappeared. Bass and
backing vocals very loud, while guitars and main vocals were low in the blend.
If you than add a zooming monitor at times, this became no feast tot eh ears.
So where I expected a guaranteed high, we did not get same, due to poor sound.
At times you could see and hear that the band should be able to bring us wonderfull
things on stage, but it was not what I hoped for and outside many lovers of the
band stood as disillusioned.
So it was up to Wilderun to close the evening in style again. Earlier this year they toured with Soilwork and
Kataklysm and I saw them in Lisbon. For that tour they went to their heavier
material given the package they were touring with. Tonight they played a long
set and their full discography was visited. As I don’t own their first two
albums I did not know all. What I did hear was lots of calm and folky
intermezzos. Luckily the class of teh band shown through during the full set.
So I liked what I saw, but they kept their best for the last 40 minutes or so.
Also did the vocalist try to set a new record in number of times you can tune
your guitar. When they did finish around 23:30 I was somewhat disappointed they
did not play their best song Far From Where Dreams Unfurl. Luckily Wayne showed an arm and a leg as a sign they would return.The encore corrected that miss. In the end a great show by them again,
even if form my taste they could have gone for more of the heavier work over
folky bits.
And then it was down to the basement for the afterparty. On Saturday this means karaoke. This year I thought about giving the younger part of the audience a history lesson by singing Holocaust’s classic song Heavy Metal Mania for which I don't need to read along with the lyrics.. Unfortunately not in the database of the system, so a fast improvisation needed for a new song. I do think I nailed it again. I believe it always good fun to see people sing, but was under the impression that not everyone is as enthusiastic as the first year anymore. So maybe next year, we should have the return of the Classic Heavy Metal disco. No matter what the program, at least one afterparty makes part of the weekend experience.
The bands on Sunday always face
the disadvantage of fatigue starting to appear. So I was very pleased to see
that Omnerod came up, introduced their set shortly and fired away. A great mix,
where death metal was mixed with more atmospheric prog. It was the first band,
where after the show I headed for the merch stand and get their CD. This as I
want to know how they sound on CD. Live the hour flew by for me and I loved their
show. Of course the one thing that was hard to understand was the social
distancing on stage as if Covid was still very much reality in Baarlo. Why was the grunting guitarist hidden so far to the back? Invisible
by a mix of darkness and smoke. Maybe stagefright? But that was Legs Diamond
last weekend. A very fine start of the day for me they were.
Obsidian Tide are from Israel, so
I think that in advance everyone wondered what was going on in their heads given
the situation at home. They did give us after some technical issues a fine set where
the clean vocals could use some more power for me. So while I pretty much liked
their music, I did not stay the full hour. This was also a band where maybe
getting to know their music a bit in advance would have helped.
Ihlo were representing the UK on
stage this year. They are not listed at Metal Archives which means they play
either metalcore/djent or are considered a bit too light. Listening tot hem I
gues it was the second reason. Again I appreciated the band and their playing,
but some more power would help to make me run to the merch stand. They looked
lively and sympathetic enough on stage, where people from the UK have the
mother tongue advantage making their inbetween song banters more at ease. Again
a half show was good enough for me, but if playing in the area I would go see
them again.
After the diner break, where I did
not eat Maraton from Norway came up. By not checking them out in advance I did
not know we had such a light band on the program after all. Their music sounded
to me very eighties and Tears for Fears came to mind. It actually sounded
pretty fine, but we left for a small meal, as more traditional progmetal was on
the way. So not seeing enough to give a fair ordeal they were the light band on
the menu, but fairly popular even so I understood.
Darkwater are no strangers to PPE
veterans as they also played the 2010 edition. That was on a day opened by
Haken and closed by Shadow Gallery, so one of the more legendary days in PPE
history. I saw them a few years back returning on stage at Brainstorm. At the time I bought their CD after the show and soon after they had started I
realized why. Darkwater was this weekend the band that would have best fitted
the first Progpower line-up in 1999. In those days no extreme /djent /prog or
postrock explorations. Just proper progmetal bands playing the style that made
the genre popular in the nineties. During their set I was reminded of Enchant
at times, or a band like Tiles. I loved every minute of their set and they
convinced again, even if not the most active live band in history. For me this
is the style that started it all. A great voice over a solid rhythm section
with good guitars and keyboards played on stage not from tape. Call me old
fashioned, but for me every Progpower needs bands like this. I saw they were pretty
popular among the crowd, where I also noted that most people I saw first in
Baarlo in 2000 stayed in the hall and loved the band. Is an age division happening in preferences? Probably the highlight of
the weekend for me and no need to discuss the progresiveness of bands like
this. Just great music.
And than it was up to Teramaze to
close the weekend. They were here before only four years ago, but released
since then 4 (four!) new full lenghts. I did remember that in 2019 I found them
OK, but not the high I hoped for looking at their style of progmetal. Basically
they play not all that different from Darkwater, may be a notch heavier at
times. Keyboards also from tape again, but this also as not all songs do have
them. Again I saw a division happening as during the set many people left the
building. This happens every Sunday night closing set, by te way. I did love
their set and was positively surprised. Maybe expectations were lower than in
2019 or they played better but for me it was a great closer of one fine festival
again.
So than we had coins left. So the basement was calling. Some nice final drinks until two barbie girls chased us out. So I guess now it is time to say a huge thanks to organization and all volunteers. What a party did they put together for us again. Since we were with a big group in changing line-ups ourselves I did not get to speak to as many people as I would have liked, but I did meet some new people who next year shall receive the friendly nod of the head or talk as well. So 2023 did not bring the great names of the past maybe, for me the diversity in program made it a good one again. So see you all next year in Baarlo.
No comments:
Post a Comment